Since triggering a paint bomb enables you to quickly and easily cover a larger area with paint, winding the rope so as to touch them is a wise tactic. These globules of paint sit atop nails hammered into the wood and can be touched for an explosion of colour.
This is particularly helpful when tackling stages with paint bombs, which require precision control. The expansive iPad screen provides greater manoeuvrability, allowing you to weave the rope through tighter spaces thanks to the larger scope of the objects and ability to exert more control over movement. Multi-touch allows you to manipulate the object at any angle, twisting and turning it to find the optimal angle in which to draw the rope. Sliding a finger across the screen adjusts the position of the object, which enables you to position the rope around crevices, notches, and flat planes. Splashes of colour appear wherever the rope meets a surface and fully shading each item is your objective. Like the first game, Zen Bound 2 asks you to cover various wooden shapes with paint by wrapping them with rope. NailedĪ taut rope, a couple of nails, and your fingers - these are the tools with which you paint an array of unfinished wooden objects. Zen Bound 2 is an evolution that focuses on improving its subtle charm rather than layering new elements and features. Scores of new levels and alluring high definition visuals are enough to make a worthy sequel, even if there's little new when it comes to gameplay. While the lack of new gameplay elements makes Zen Bound 2 a predictable follow up, the phenomenal design inherited from the original demands little change.
ZEN BOUND 2 SCREENSHOTS FULL
The sequel to 2009's most innovative iPhone game is concerned less with further invention than with realising its full potential, unbound by the larger iPad screen. If Zen Bound for iPhone and iPod touch was foreplay, then Zen Bound 2 for iPad is the full act.
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